Composer, Arranger, Educator
“I rely heavily on the conductor and the performer to bring that to life. And it has to speak to them to be able to communicate to the audience.”
“As a composer, your hope is that it comes out the way you want it to sound, and that they’ll play it the right way. And the reality is, some things will and some things won’t. But I’m always grateful for the attempt and performance.”
Keith Bradshaw
Soft, the Light Orchestral Arrangement Score
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This piece was composed for my daughters Hannah and Lydia.
Arrangement for Clarinet and Percussion
For Flute or Viola, Solo Voice, and Piano
For Flute, Violin, Solo Voice, and Piano
For Flute, Bassoon, and Piano
For Violin, Viola, and Piano
For Viola, Choir (SATB), and Piano
Vocal Solo
Violin, Viola, and Piano Arrangement
Clarinet, Bassoon, and Piano Arrangement
A tribute to Shane Summers
This piece was written for Lynn Vartan and commissioned by the Orchestra of Southern Utah.
II. Hanging with Goblins Score
III. Gabbing with Gossips Score
IV. In the Court of the Patriarchs Score
Arrangement for Percussion Ensemble
In the Court of the Patriarchs
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This piece was written for my wife, Tracey, and was commissioned by the Orchestra of Southern Utah.
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This is a solo arrangement of the second movement from Fantasy for Piano and Orchestra, which was written for my wife, Tracey.
Dedicated to Lydia.
This piece was written for Suzuki Strings in Cedar City, Utah.
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This ten movement work was co-written with Daniel Bradshaw and commissioned by the Orchestra of Southern Utah.
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This arrangement was written to the families and victims of the Moab plane crash, August 22, 2008: David White, Dr. Lansing Ellsworth, David Goddard, Mandy Johnson, Marcie Tillery, Valerie Imlay, Keith Shumway, Dallin Ellsworth, Camie Vigil, and Cecilee Goddard.
The text for this piece was found on a cellar wall where Jews had hidden during World War II in Cologne, Germany.
This is an arrangement for string orchestra of the original string quartet version. The original was commissioned by Tim V. Stay for his wife, Dalita.
This piece is written for two solo marimbas, and four percussion parts playing triangle, guiro, suspended cymbal, tam tam, toms, bass drum, timbales, wood blocks, snare drum, and bongos.
This piece was composed for my daughters Natalie (Violin) and Hannah (Viola). It has five movements focusing on American dances.
III. Flibberty Jitterbug Score
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This is a four movement work, and has been recorded by Michael Dean.
This piece was commissioned by churches in Minnesota, underwritten by the Minnesota Composers Forum.
The lyrics were written by Tracy Mansanarez.
These songs were written to Merrill Bradshaw, father, composer, and nature lover.
This piece was commissioned by Tim V. Stay for his wife, Dalita.
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